Garage

Fiction by Daniel J. O'Malley
Lawnmower, by Rob Browning. Copyright the artist. Courtesy the artist.



Our daughters both were grown, moved away. I quit work—retired—in April, did nothing, not a thing, for about a year before I got the garage cleaned out, bikes up in the rafters, so I had space on one side.

Ted Wynn sold me his old table saw. I borrowed a lathe and a belt sander from Carol’s brother Paul. First thing I started was a table—square, four foot across—then I scrapped it and did one rectangular, four foot by six, with a beveled edge that wasn’t too bad and a bench to slide in underneath. Then picture frames, stools, bookshelves, a free-standing cabinet-type thing with glass framed in the door, but the glass would rattle in it just if you walked by.

Come winter I got interested in birdhouses—the regular four walls, with a floor, sloped roof, hole in the front. I let the boy when I went to buy lumber ramble on for a while.

“You need to be careful,” he starts in. “These woods aren’t all the same. Even these here. You don’t ever want that treated stuff for a birdhouse.”

“Is that right?”

“Stick with cedar,” he says, real slow. “All those treated woods have chemicals.”

“Cedar. Huh.”

“That’s right.”

“And that’s what this is?” I grabbed hold of a two-by-four.

“No, sir. That’s—”

“This one?” I pointed again. “This here?”

“Sir, that whole rack’s all plywood.”

*

Later, after all this went on for some months, the birdhouses, all through the summer, my wife stops one day. In the kitchen. She says to me, “You’re depressed.”

“Oh,” I say. “Wow. Shit. Is that it?” I sat down there at the table. “Thank you, dear. Thank you for solving this great mystery.” 

Then she’s gone, down the hall a minute. Comes back and starts pulling dishes off the rack, wiping with a towel so long one end’s on the floor, a bath towel. “Get a dog,” she says. “Go outside. Go for a walk. Exercise. Get some air. Something.”

I thought for a minute. I sat there and considered. I said, “We don’t need a dog.”

“Fine.” She looked at me then—serious. “Then find a hobby, I don’t care what it is. Just act like you’re alive.”

“A hobby?” I said. “What do you think this is?” Just where I sat, I could see birdhouses stacked in the hall, two on the mantle, another few in the corner by the door. I kicked one under the table. Pull out the chair to my left—two more. Out in the garage was a bigger one I built about like our own house, or I’d started to—ranch style, with a block cut slant to fit the roof for a chimney. I painted windows, a door with a little brass tack for a knob, fine lines for bricks. I got a shingle from James up the road, the roofer, cut it to pieces, down to scale, and fixed each piece with a nail about like a needle. I tried adding a porch—that was the first time. Tried cutting a thin square post to prop up the porch roof and sliced my left middle finger down into the bone. I let the blood puddle on the workbench, just watching it, then down on the floor, my shoe, more blood than you’d think, before I got a rag around it and squeezed.

The second time was a month later, month and a half—October. Late morning. Wife in the bath. I’d gave it some thought, after the finger. Went out and found a pint bottle—rum—down in an old work boot, where I’d put it back when the girls still were home. Spread a tarp on the floor. Drank the bottle. Let’s just see, I thought. Got the blade spinning—the old table saw. Leaned in there, got my arm in close. Simple as that. Held my breath. A little farther, finish the job. Let’s see if this’ll do it.


Daniel J. O'Malley

Daniel J. O'Malley's fiction has appeared in Best American Short Stories and on NPR's Selected Shorts and been published in print or online by Fence, Granta, the Kenyon Review, Subtropics, Gulf Coast, Ninth Letter, New World Writing, and Alaska Quarterly Review, among others. He currently lives in West Virginia, where he teaches at Marshall University.

Rob Browning

Rob Browning received his formal art education at Virginia Commonwealth University in Richmond, Virginia (1974-1979). His artwork is included in many public and private collections and has been used commercially by clients, including: General Electric, ITT, American Airlines and Disney Enterprises.
He currently resides in central Virginia, USA.