Six Poems
Rotting Telepathies
I thought
you what
I used
to know
what you
know now
Preppers at the Fairground
top
experts
hands
on
work
shops
the best
gear
& food
storage
for
instance
buckets
of
oat
meal
new
patches
brass
tactics
a natural
shelter
faraday
cage
latent
rage
sooner
& later
walking
shrill
we're out
standing
in your
field
Petit Écolier
teeth
crunching on
foil the
third battle
of the
marne
is an
adult
play
ground
where
we
have cookies
for breakfast
whoo, i
mean, oui
Testimony Of My Misfortune
Getting
killed
by Shrek
I munch
sour
grapes
a chomper
in ear
shot
the art
in my
inbox
inventing
my own
reality
I'm riding
a wheel
it's a
square
Full Mood Last Night
the party's
over,
it was a
good time,
you can tell,
all the
cabinet doors
got left open,
that said,
I never
liked
games,
assorted
dice,
striped
bananas,
the hairy
kite’s
coming
right now
thru the
breach
the sun
gazing
searing
my dome
like
snow
run
over
by a
hot sled
Is Love Eunuch
rocking
my life
away
no one
ever
asks
me
about
my
t-shirt
great
balls
of
fire
tho
to be
fair
it is
"quite
subtle"
Michael Klausman
Michael Klausman is a writer & editor who lives in Colorado. With Whit Griffin he co-edits & publishes the little mag, Luigi Ten Co. With Patrick Tillery, he co-edits & publishes Wry, a small press focused on both new and archival poetry and artists’ books. In the last couple of years he has edited & published Skip Tracing, by Ken Bluford, a collection of lost & recovered poems by the shadowy beat-era figure, Paolo Lionni, a previously unreleased manuscript (“The Cobra King”) by the neglected queer English modernist poet, Oswell Blakeston, as well as a cassette release of a c.1969 audio cut-up by Clark Coolidge. Under the moniker Fielding Daws, he releases sound works for the record label, Love All Day. He is currently working on bringing out some unpublished works by poet Frank Kuenstler. His own books include Aeolian Darts (Séance Centre), and The End of the Poem (NFMP).
Alberto Regueira
Alberto Regueira, born in 1994 in Havana, Cuba, is a visual artist currently living and working in Havana. His primary focus is painting, though he also explores printmaking, and drawing.
He began his studies in 2011 at the “San Alejandro” Academy of Visual Arts, where he experimented with sculpture, printmaking, and installation. In 2016, he enrolled at the Superior Institute of Art (ISA), concentrating solely on painting. In 2020, he completed his graduation and earned a Bachelor’s Degree in Visual Arts.
His artwork serves as a narrative expression of esoteric themes, weaving analogies and symbols into a rich tapestry of meanings that connect the everyday with the mystical. His painting style centers on the oil technique and draws inspiration from classic painting landscapes, infused with surrealistic elements.
Regueira has showcased his work in numerous exhibitions, both in Cuba and internationally, including in Switzerland and the United States.