Three Poems

Poetry by Eugene Ostashevsky
Sunday winding down, by Alberto Regueira. Copyright/courtesy the artist.



A Crooks Entry into Jerusalem


Assassins, you have a double ass.

Children climb on trees to make you better out.

Clothing unwinds to lie on the field. Its colors are gules and purpure, its stains are murrey and sanguine.

You chill. Somewhere on earth it’s already Facepalm Sunday.

Alien


Alien. What is the alias of the alien.

Ali. Alimentary, my dear Watson.

Is the alien alimentary with Sigourney Weaver. The alien has an alibi, and is elsewhere.

What is the difference between the alien and the predator. One of them is legal.

The predator has been made legal by voting.

First there was vetting and then there was voting.

The voting was carried out by the people. Who will carry out the people.

The vetting was carried out by the veterinarians. Not just any veterinarians, veteran veterinarians. The ones who are alienists.

The alienists deliver a homily to their votaries. They home in on the alien.

The alien is subject to alienation. It is bound for binding.

It is an alien bound among Egyptians. Everyone experiences a low relief.

Yes, a lien has been placed on the alien. It is a charge or encumbrance upon property for the satisfaction of debt.

Alienation, the voluntary act of an owner of some property to dispose of the property.

Dispose of that property. It is proper to dispose of that property. Properly.

How are you going to dispose of it, in a tote bag?

Teaching Nezami


Nezami writes to us of true love.

The proponents of true love renounce the body.

For the object of true love is immutable but the body is mutable.

At the prospect of union with the beloved the lover flees for the wilderness.

We do not know what the beloved or the lover look like. The beloved is compared to roses, cypresses, deer, ravens, and the full moon.

She is called an unpierced pearl. A pheasant is perched in her face.

As for the lover, he lives in the desert and neither eats nor sleeps out of love, from which we may infer that he is more bony than bonny.

Love is the reason why he writhes on rocks, which must bruise and scrape his torso and limbs.

Thereby the lover displays his distrust of consummation, for anything that comes after consummation is a letdown.

Love made him a lunatic and lunacy made him a poet.

The beloved is only a pretext for the things the lover does to himself, which, in turn, lead to the production of poetry.

I look at myself in Zoom as I teach and I see the bags under my eyes, the saggy skin on my neck, and the sparse hair rising over my forehead.

I worry about Una’s spine and that puberty has made her lock herself in the room and take to bed.

I go with Eva to the zoo and we watch baby mountain goats bound up precipitous cliffs.



Eugene Ostashevsky

Eugene Ostashevsky is a poet and translator. His most recent collection, The Feeling Sonnets (Carcanet, NYRB Poets), examines the effects of speaking a non-native language on emotions, parenting, and identity. An earlier book, The Pirate Who Does Not Know the Value of Pi (NYRB Poets), discusses communication difficulties between pirates and parrots. As a translator, Ostashevsky is best known for his editions of the Russian avant-garde, such as OBERIU: An Anthology of Russian Absurdism (Northwestern UP).

Alberto Regueira

Alberto Regueira, born in 1994 in Havana, Cuba, is a visual artist currently living and working in Havana. His primary focus is painting, though he also explores printmaking, and drawing.

He began his studies in 2011 at the “San Alejandro” Academy of Visual Arts, where he experimented with sculpture, printmaking, and installation. In 2016, he enrolled at the Superior Institute of Art (ISA), concentrating solely on painting. In 2020, he completed his graduation and earned a Bachelor’s Degree in Visual Arts.

His artwork serves as a narrative expression of esoteric themes, weaving analogies and symbols into a rich tapestry of meanings that connect the everyday with the mystical. His painting style centers on the oil technique and draws inspiration from classic painting landscapes, infused with surrealistic elements.

Regueira has showcased his work in numerous exhibitions, both in Cuba and internationally, including in Switzerland and the United States.