Two Poems
Anamnesis
Only ghosts now in the place where we were alive on the cul-de-sac prairie
at Archer and Emerald, making out in your car while a drunk trucker
watched. Only ghosts: the grass, the weeds, the wildflowers, the trucker, us.
How are you dead while I'm still alive, still wondering where light ended
and shadows began? How did I used to describe you? A rock star? A raptor?
A pile of dirty shirts? A carpet of pornography? A bare bulb always burning
And why did I think death was so interesting, as interesting as the blow job at
Johnny Yen’s second wedding at the Swedish Singing Club by the lake? Only
ghosts now, too, at the long-gone Swedish Singing Club by the lake. There’s more
I’ve forgotten. Like the girl I was, and why you loved me, that death is remembering,
living is forgetting, but always unforgetting the prairie, the trucker, the blow job,
the weeds and wildflowers, the bare bulb always burning.
Hex Triplet
— an odd sonnet / cleansing spell
Have you nourished a friend into a predator?
Has that friend become your disapproving mother
standing with arms akimbo atop a ladder?
And has that friend plundered your sullen thunder
and replaced it with her pumpkin-colored Mother Hubbard
stuffed with underworld uncles and bucket truckers?
If so, throw a sand dollar into the waves of the Sacred Acre;
barter your young lover — the star-struck cattle rancher,
still daubing ancient red ochre on the cave walls of summer —
for an older, melancholy share-holder;
lie down with the Owl Father for an afternoon slumber,
and awake to find a worm larva clinging to your finger.
That larva is the friend you nourished into a predator.
If you’re reluctant to kill her, get Owl Father to smother her
and let the beneficent planetary transits begin.
Sharon Mesmer
Sharon Mesmer is a poet, fiction writer, and essayist. Her poetry collections include Greetings from My Girlie Leisure Place (Bloof, 2015), Annoying Diabetic Bitch (Combo Books, 2008), The Virgin Formica (Hanging Loose Press, 2008), Vertigo Seeks Affinities (chapbook, Belladonna Books, 2007), Half Angel, Half Lunch (Hard Press, 1998), and Crossing Second Avenue (chapbook, ABJ Press, Tokyo, 1997). Her fiction collections are Ma Vie à Yonago (Hachette Littératures, Paris, in French translation by Daniel Bismuth, 2005), In Ordinary Time (Hanging Loose Press, 2005), and The Empty Quarter (Hanging Loose Press, 2005). She teaches in the undergraduate and graduate programs of New York University and the New School. Originally from Chicago, she has lived in Brooklyn, New York since 1988.
Lori Taschler
Lori Taschler was born in Brooklyn, New York and received her MFA from Pratt Institute. She has had numerous one person shows in New York City and group shows throughout the United States. Her work is included in many private and public art collections including : The Herb and Dorothy Vogel Collection, The Yale University Art Gallery, The Akron Art Museum, Oklahoma City Museum of Art, Honolulu Academy of Arts, Portland Museum Of Art, University of Alaska Museum, Plains Art Museum North Dakota, Academy of Art Museum Maryland, Weatherspoon Art Gallery: the University of North Carolina, University of Wyoming Art Museum, University Museum of Southern Illinois and the Frederick R. Weisman Art Museum: University of Minnesota.